Con Funk Shun Biography
Con Funk Shun was formed by high-school classmates Michael Cooper and Louis "Tony" McCall, along with Karl Fuller, Paul "Maceo" Harrell, Dennis Johnson, Cedric Martin, and Danny "Sweet Man" Thomas. All of them had been playing together since their high-school days in Vallejo, CA. Felton Pilate, also from Vallejo, joined the group after his band, a local rival, disbanded.
In the early '70s, the group was a backup band for the Soul Children with the name Project Soul. And when they weren't on the road with the Soul Children, they were creatively working with various Stax staff writers. In the mid-'70s, Project Soul made an effort to become a headliner, but they met dead-ends and little success. However, they found good fortune at Audio Dimensions, a Memphis recording studio owned by producer Ted Sturges. Around this time, he group named itself after the title of one of their instrumentals, "Con Funk Shun." During their three-year stint at Audio Dimensions, Sturges, besides owning the studio, was also Con Funk Shun's producer. Their association resulted in the group's first album, Organized Con Funk Shun.
As their sound developed, Pilate and Cooper emerged as the primary lead vocalists. Around the time their first album for Crankshaft Productions, Inc. was being recorded, the eighth member, MC and technician Dennis Johnson, left the group to attend seminary in California. By 1976, the group signed to Mercury, where they remained for ten years. Their first hit for Mercury was "Ffun," written by Michael Cooper as a tribute to the R&B/funk band Brick. One of the premiere party funk bands of its time, they also began recording ballads and instrumental tracks by the early '80s. Aside from being the primary musicians on all their albums, Con Funk Shun also contributed to each of their albums as writers, arrangers, and/or producers.
Burnin' Love, the septet's last album with Mercury, was recorded without their longtime musical center, Felton Pilate, who left the group in 1986 to become a successful producer. (Pilate eventually became the musical force behind MC Hammer.) Melvin Carter, a frequent collaborator of Con Funk Shun, joined the group upon Pilate's exit, and that same year Michael Cooper left for a solo career. Con Funk Shun disbanded after their last album with Mercury, but reunited in the '90s, and began performing at festivals and concerts around the world. ~ Craig Lytle, All Music Guide
Popular Biographies:
Equinox Biography: Best known for his work in metal/industrial pioneers Skinny Puppy and Frontline Assembly, Bill Leeb has appeared in several side projects, including Delerium, Synaesthesia, and Equinox, the latter a...
Interpol Biography: New York's Interpol reminds anyone who has ever heard post-punk bands like Joy Division and the Chameleons of those exact bands, plus a few more. The roots of the band -- as far as its members are...
Cancer Biography: Vocalist John Walker, bassist Ian Buchanan, and drummer Carl Stokes started Cancer in the late '80s as a brutal, simplistic death metal trio. Debuting with the amateurish To the Gory End, their...
Lasgo Biography: Belgian electronica threesome Lasgo emerged in 2001 making their debut with "Something," a club/dance single simultaneously released in Belgium and Spain. Assembled by MC Peter Luts, DJ David...
Sven gali Biography: This Ontario-based band was formed in 1987 by guitarists Dee Cerniles and Andy Frank, vocalist Dave Wanless, bassist Shawn Mahar and drummer Gregg Gerson. They signed with BMG and released a...
Yello Biography: The ambitious Swiss electronic duo Yello comprised vocalist/conceptualist Dieter Meier -- a millionaire industrialist, professional gambler, and member of Switzerland's national golf team -- and...
Northern lite Biography: Northern Lite, an electro-rock group, carved out a respectable niche for themselves on the German music scene, not only via their record releases and remixes, but also via their own label,...
Sea of green Biography: Sea of Green's live shows -- with their liquid lights, incense, smoke machines, and pyrotechnics -- evoke the heaviness of the early '70s as much as their monstrous, riffed-out, and slightly skewed...



